From the most recent works to those of the past, a presentation of images showcasing the most representative pieces of the artistic journey.
ABSTRACT DESIGN
abstract drawing and modular structure
Abstract drawing becomes the matrix of a process that unites manual gesture and digital transformation. The sketch on paper evolves into a modular structure — the puzzle pattern — capable of expanding and regenerating itself. Analog and digital elements engage in a continuous dialogue, shaping an open visual language that moves between construction and variation.
PHOTO
urban landscapes and symmetrical visions
Photography becomes a tool for observation and analysis — a way to explore the symmetry and structure of places. Each shot arises from travel and encounters with unfamiliar spaces, where the gaze is renewed. The image focuses on the balance between emptiness and presence, constructing landscapes of silence and distance. The result is a minimal and meditative vision, in which the landscape becomes a perceptive and reflective experience.
DIGITAL TRACES
digital analytic art
The digital realm becomes a tool of investigation rather than an aesthetic end — a means to explore form, sign, and their essence. The artwork shifts its focus from result to process, revealing its ephemeral and virtual nature. In digital drawing, the manual gesture survives technology, transforming into an analytic trace. The research moves toward simplification and perception, where each image becomes an active visual experience.
PITTOSCULTURE 2013 – 2020
wall sculptures
The Pittosculture are wall sculptures made of wooden slats, acrylic paint, and natural branches.
They combine complex geometries that appear chaotic yet are rigorously structured. These works create a visual dialogue between artificial order and the unpredictable spontaneity of nature, turning the artwork into a reflection on the relationship between rational control and natural freedom.
ALUMINIUM 2005 – 2012
modules and transformation
An artistic path grounded in abstract minimalism, where the artwork becomes a modular element within a broader compositional system — one capable of regenerating itself through different spatial configurations. The use of reclaimed aluminum from discarded typographic plates is not merely a material choice but a conceptual strategy: the material reflects light and interacts with space, transforming waste into aesthetic value. These works unfold as a continuous process of meanings, where each element is potentially transformable and able to assign new genealogies of sense to materials that appear exhausted.
PAINTINGS 2003 – 2004
mixed media on digital prints
The method is based on the hybridization between digital processing and manual intervention: computer-generated graphics are printed in large format on paper or canvas and mounted on plywood panels, becoming the foundation for subsequent pictorial actions and mixed-media assemblages.
This process creates layered works where the digital background engages in dialogue with the materiality of traditional painting, combining technological precision with spontaneous gesture.
The interdisciplinary approach transcends the boundaries between languages, merging technology and craftsmanship into an innovative expressive system.
